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I'm also thinking now that it's not as important correcting by the time the disc enters the power pocket, but as it goes through. It's just not something I've been good at in my shadow swings, though I've been able to get the disc oriented well enough as it enters. But this seems to be user-specific, and I may be doing other things wrong beyond the swing that makes that more difficult for me, than others.Having seen form like that maybe-seppo gif before along with trying more deliberate swooping lately with the tech disc is what lead me to think about this btw, so this is a cool example / reminder to see that form posted.
Whenever I saw stuff like that originally I always suspected it was not a bit not ideal but now after feeling some easier power sometimes and easier nose down it makes me think it's more just another variant of high level form when done well.
yeah I'm exaggerating it a bit here. I tried one subtler but I just turfed it lol because the exaggeration makes it feel very obviously that I'll need to swoop back up at the end but a subtler one doesn't since I'm not used to this style.I think it looks more natural for you in your case. It's more pronounced then the Seppo example, but it looks very repeatable to me. I think as long as the wobble isn't too bad. Michael Sizemore from Tech Disc believes 5 and lower is good enough to have minimal effects (I'm paraphrasing), and that's about where I've landed myself. I've been able to lower my wobble from 6.6 - 6.9 down to 4.1 - 4.8 so that gives me hope that further refinement can bring that down a touch more.
I'm not trying to be a dick here, I'm just trying to get some knowledge on all this "supination, pronation, turn the key, external and internal rotated shoulder" stuff, since I'm having a hard time following some of your comments.
In this video, i do not see a "turn the key motion", but! I do see ulnar deviation, from the pocket and out and if I'm in the pocket (still motion) and "turn the key" whilst being externally rotated, that leads to ulnar deviation, at least for me. Is that the point of "turning the key" term?
I believe SW talks about it in one of his video about unscrewing a jar and that's what I see in most pros form
When you guys are speaking about turn the key, I picture my arm straight forward, palm to the sky. Am I wrong here?
I've watched proctor, mcbeth, eagle, Simon, Ricky and a few others and all of the have ulnar deviation from the pocket and out without any BIG movement in the wrist itself. I would argue that there is some supination.
I'm so confused lol
It might just be the terminology I find confusing.
Seeing how many attempts it takes to get close to nose neutral and then very nose down with most of the common grip styles:
I think my perception of the term "turn the key" might be different from yours and others in this thread.
When I think turn the key, I think "palm to the sky,flip the disc over (ala OT video) bicep pointing to the sky and shoulder externally rotated" kinda motion.
Do you have any videos where you explain the motion and how the forearm, upper arm and shoulder should follow?
To me and mind you i know nothing: it looks like it's the redirect from the pocket and out (there's a good thread about how the disc isn't going in a straight line from reach back to release somewhere on DGCR) and the force of that, that forces his hand into the motion the you might mean when saying "turning the key" and I would say look like ulnar deviation/pour the tea. And while being bored at work, I noticed that most pros got the same exact motion from the pocket and out.
I always like the close up of JP since you can see how gets his eyes down the fairwayUlnar deviation is pretty much unavoidable when you curl your wrist. Often times a lot of the ulnar deviation that is seen I think is there because of the wrist flexion but the side on POV can be hard to see wrist flexion, it can look quite straight even when there's a decent amount of wrist flexion.
This POV is either at a height that makes it harder to see the turn the key, or it's because he's throwing on a lot of hyzer that also changes how certain things look, or he just wasn't doing it as much in this throw or at this time.
Palm to the sky isn't the best indication: put your arm out where the hit would be and palm up, then lean forward a lot into a hyzer without moving your arm and your palm being turned a bit more downward by the body tilt changing, now imagine the camera angle is above and looking downward at the hand, it will look like the palm is even more down when those two things are combined.
Here the disc appears to be roughly perpendicular to just below his chest:
View attachment 351921
In this next frame I believe he's likely turned the key, it looks like the side he isn't holding is being tilted but you'd have to get another angle of this same shot to confirm. But that's not very important since there are many shots of his form that show it much more clearly.
View attachment 351922
It's easier to see here but still can be confusing, it looks like it's being tilted onto extra hyzer suddenly because the elbow isn't extended out into the hit yet, once it is, that tilt is nose down and the body posture is where the hyzer came from mostly.
View attachment 351924
This is a really good close up view:
View attachment 351925
Yes to some degree but if I turn it to what feels like into position, that gets me closer to nose neutral or slightly nose down, whereas if I want more nose down, especially on higher launch angles, it feels like you have to turn it into position and beyond. It's less effort to turn it to nose neutral because nose neutral is the most aligned (disc plane angle matches launch angle) so nose down is, in a sense, misaligning the two and in a way that seems less easy to accidentally do than misaligning in the nose up direction.isn't this just getting the disc into position from the briefcase position?
too many people do the opposite (pronate nose up), if most people naturally did this and were getting nose down there maybe wouldn't be a term for it.not something I would have thought needed a discrete term.
Seeing how many attempts it takes to get close to nose neutral and then very nose down with most of the common grip styles:
Is it something along the lines of form improvement adding more distance (and maybe changing how some discs fly a little) and working that into playing golf? Or do you feel like you're throwing differently with the TD than when you play golf?I feel like I can get good numbers into the tech disc and that form doesn't translate to actual good results on the course. In other words, my tech disc data gives me another general guideline to consider before each throw on the course.
It would of course be better if more people would could check for reproducibility, but not a lot of people have a tech disc, and not a lot of people who do have a tech disc have practiced these techniques enough to be a suitable candidate to even try to reproduce something like this video.How are you accounting for confirmation bias?
You haven't been using it very long right?I feel like I can get good numbers into the tech disc and that form doesn't translate to actual good results on the course. In other words, my tech disc data gives me another general guideline to consider before each throw on the course.
Neil, I'm questioning whether using the term "turn the key" as a catch all for all upper and lower arm rotations in a throw, is the best descriptor. Clearly that term gets some people on edge. The physical act of actually turning a key in a lock is an isolated 100% lower arm supination. As my Mocap analysis showed, both lower arm supination and upper arm external shoulder rotation both play a major role. In my coaching I now try to use the cue "externally rotate your arm" but it may be hard to get away from turn the key.It doesn't force the hand into the turn the key motion,
Neil, I also have spent a lot of time looking at grips vs nose angle and would generally agree that subtle adjustments in grips that are generally aligned with lifeline, rarely translate to adjustments in nose. However, people who have learned to throw with grips substantially aligned from index knuckle to pisiform bone (heel of hand), diagonally across the palm, have learned to apply a lot of force to the top of the disc (resulting in massive nose up) and are not easy to retrain.It would of course be better if more people would could check for reproducibility, but not a lot of people have a tech disc, and not a lot of people who do have a tech disc have practiced these techniques enough to be a suitable candidate to even try to reproduce something like this video.
I do wish there was a better term.Neil, I'm questioning whether using the term "turn the key" as a catch all for all upper and lower arm rotations in a throw, is the best descriptor. Clearly that term gets some people on edge. The physical act of actually turning a key in a lock is an isolated 100% lower arm supination. As my Mocap analysis showed, both lower arm supination and upper arm external shoulder rotation both play a major role. In my coaching I now try to use the cue "externally rotate your arm" but it may be hard to get away from turn the key.