I've struggled with this too especially as easy power increases and it gets easier to blow by stuff unintentionally
1. Downtempo form (e.g. Tattar)
2. Downscale form (e.g. Lizotte)
3. Remove parts of form/modify emphasis on parts of chain & posture. Lots of options to discuss there
4. Some mix of 1-3
5. Let the discs do the work.
My current guess is that I will now see significant input to output changes based on my formwork and generating momentum horizontally and vertically. Of which I've worked on a lot in the past but I blew way past it all with my arm.